Young Bharatanatyam dancer Meera Srinarayanan impressed with her imaginative introduction
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Meera Sreenarayanan is performing at the Music Academy. Photo Credit: K. Pitchhumani
The understanding between a singer and a dancer, where the two responds to each other’s mind and resonate, perform a performance high on aesthetics. Meera Sarenarayanan’s recurrence at the Dance Festival of the Music Academy was the same.
From the first piece, Virutam addressed Ganesh and Hanuman, in the final Thailana, Meera maintained speed through choreographers, beautiful and sharp movements and fine manifestations.
Ramayana Sabam, composed by Jaikrishna Annna, took the essence of the epic through a brief depiction of important sections. The absence of melodrama made it more enjoyable.
‘Sardijkadhudu’ speaks about the heroine for the beautiful Tajavur Chowki Kalyani Raga Varanam, Rajagalaswamy composed by Sivanandam. Some of Meera’s actresses were fascinated, especially the churning of butter, where by increasing the speed, the entire process was imagined in a detailed detail. It was delightful to drape the Pitambara Wistram on the idol, wake up from a dream state, to see the RAS in all its splendor, and to pay attention to the grandeur, expansion of the temple gopuram. His thermmanam was accurate in both slow and fast.
An acting piece based on a Malayalam Samvada Patu, ‘Kuniya Kunu’ talked about the interesting banquet between Lakshmi and Parvati, ridiculed each other’s husbands. Finally, after his harmony, he returns to his residence in his vaeans. The entire piece was beautifully conceived.
Bijesh Krishna’s intimate vocal support increased the impact of the performance. Indira Kadambi conducted recurrence with flourishing, which was aided by Charudut on Mridangam, Ezar Ramakrishnan on violin on violin and Anantanarayan on Veena.
Published – January 30, 2025 06:30 pm IST
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