‘Majaka’ Movie Review: Sundarp Kishan, Rao Ramesh film sometimes entertains

Ritu Varma and Sundeep Kishan in ‘Mazaka’ | Photo Credit: Special Arrangement

A film review is often clearly stated: an interesting or entertaining idea does not always translate into an attractive cinematic experience. Nevertheless, director Trinadh Rao Nakkina’s Telugu Comedy FunnyWritten by Prasanna Kumar Bezwara, it is necessary to repeat this point. Writers-directors take a base with ability to humor, but dilute it with predicted trops, making the film tired. Saving Grace is the performance of Sundeep Kishan, Rao Ramesh and Ritu Verma, although even they can only do a lot to redeem the story.

The film opens with the morning walker, in which the red mark is discovered for two people washed on Visakhapatnam Beach. Worried, he warns the police, only for Inspector (Ajay) to find out that the man – Krishna (Sundeep Kishan) and his father Ramna (Rao Ramesh) – are not injured, but are just hungry. Red stain, in fact, comes from a packet UnlikelyA (common pickle) in the pocket of his shirt. Inspector, who is struggling with the author’s block while working on a novel, takes interest in his story. The absence of the situation sets the tone for uninterrupted fun and indicates the audience not to take anything seriously – or ask a lot of questions.

We hope to accept without the question that the potential bride’s family reject Krishna only because there is no woman in his house. Ramna’s wife died soon after Krishna’s birth, leaving the father and son to navigate a stressful relationship, unable to fill the emotional zero. This backstory is narrated in a lighted manner, but when a marriage broker suggests that Ramna must first find a partner – so that a woman’s presence in the house becomes easy to find a bride for Krishna – it is disqualified And seems unrelated.

The discovery of a partner’s father could be handled with some maturity. Instead, we see Raman smiling immediately by Yashoda (Prasu) in our 50s and resort to staring at him. While the revelation of their previous connections again defines the story to some extent, to that point, the romance feels uncomfortable and problematic. Meanwhile, Krishna’s chase Meera (Ritu Verma) follows the same tired trops – chasing her while chasing the college and treating a rival who misbehaves with her – nothing new Gives

Funny A large house raises some speed towards the interval with a comedy of errors. Although the setting seems familiar, some fast forest-liners and attractive chemistry between Sundeep Kishan and Rao Ramesh inject some very essential energy. His cameradari becomes the backbone of the film. Sundeep brings his specific attraction for his clashes with romance and Rao Ramesh, while even in emotional moments. Rao Ramesh, with his experienced appearance, also increases the more problematic sequences. A standout scene in the final act, which features him and Ritu Verma, allows them to tap in their maturity and comfort field.

Ritu is given very little to work unfortunately. Despite the shameful role, she takes herself easily, her screen appearance attracted attention easily.

The story of father-son takes an unexpected turn when they cross the path with egoistic businessman Bhargava Verma (Murali Sharma). The role fits Murali Sharma like a glove, although his scheme is similar to his character Ala VakunthpuramuluWith his colleague (Srinivas Reddy), he adds another layer of entertainment for action.

Nevertheless, when major conflicts arise, there is no real surprise. Two prominent characters simply resolved their issues by sitting, half the runtime of the film could be spared. Dependence on letters as a communication tool – a tired trop in the era of immediate message – reduces further effects.

Funny The fresh character was the ability to shine with arcs and novel story, but eventually stumbled under the weight of the old clinch.