David Dhawan: Every scene in Govinda has a rare talent to come with surprise. I miss working with him -Exclusive | Hindi Movie News – The Times of India

In the 1990s, the Bollywood comedy had a name – David Dhawan. And if there was an actor who embodied his brand like a humor, it was Govinda. Together, they created a string of creed classics, which combines timeless, slapstick humor with impeccable comic timing. Films like ‘Coolie No. 1’, ‘Hero No. 1‘, And ‘Hasina Maan Jayagi‘Only the box-office hits were more than the hit; He became a cultural event. In the form of today One and one giarah The 22 years of the completion of 22 years, David Dhawan reminded of the unpredictable unpredictableness of working with Govinda, her unique ability to turn any scene into a moment of talent, and why does she still hope for a reunion that can remove her old magic. He also talked about his pairing with Sanjay Dutt and Govinda.
David, they were crazy days, were they not?
Yes! Absolutely. Bahot Maza came. You do not know how much we enjoyed shooting those Govinda films. He owns the blessing. Woh, kahan se kahan lekar scene ko chala jaata hai! Baba again! What an actor! There is no one like him.
So why are you not working with Govinda now?
Carenet, Zarur Carenet; Let the right script come. See, Govinda and I mean something special for the audience together again. Do you understand? We cannot disappoint the audience when we come together again. I am not sure, but I think one and one Gyarah was the first film where you used to bring Govinda together with Sanjay Dutt.
Have you forgotten the powerful? When I first directed Sanju and Govinda together. I don’t remember the year. It was my first film as director.
1989…
Ok. One and one Gyarah came later. I remember how good Sanju and Govinda liked. His timing was spot-on. See, Sanju is known for comedy as Govinda. But Sanju was very good in comedy. You can see it in their scenes simultaneously in one and one Gyarah and Hasina Maan Jeigi.
There it is absolutely crazy, there is an extract-out interlude in Zonki, one and a gyra, where Govinda, pretending to be physically disabled, rises above its wheelchair Phoenix, such as the cry of a war and starts to instill madness. I remember that. It was one of the highlights, and people loved it. Every scene in Govinda has a rare talent coming with surprise. I miss working with him.