‘Crazxxy’ Movie Review: Soham Shah draws almost a blinder

Still ‘Crazxxy’ | Photo Credit: @Sohumshahfilmss/YouTube

We get so many spam calls these days that it is difficult to find out which people are real. Then, while driving the car, you listen to FM stations where prank calls call programming. Director Girish Kohli put this strange everyday reality against time in this exciting race.

On the way to the hospital to settle an important deal, Dr. Abhimanyu (Soham Shah) gets a mysterious call, stating that her daughter was kidnapped, and she had time to save her life. As Abhimanyu presses the pedal, the Kohli drops a red herd on the highway. Gradually, we realize that Abhimanyu is an insufficient surgeon and a flawed father.

Mounting as a one-end thriller where supporting actors appear only as voices, after all, the moral voice is the most loud. One can tell that the ransom call is also made by Tinu Anand in his impressive baritone, before he is introduced as a doctor’s daughter’s teacher. There is a former wife (Voice by Nimisha Sajyan) suspects the doctor’s intentions due to her past. There is a current flame (a voice by Shilpa Shukla) that moves a needle of suspicion to the ex -wife. Meanwhile, Abhimanyu’s boss (Voice by Piyush Shukla) feels that doctors are using the abduction as a stalled to avoid the deal.

Conversations are sharp, meaningful and attractive and create a sense of urgency because the characters are crazy at one point and are sympathetic and rational on the other. Background scores and cinematography produce an adrenaline congestion and play with the mind. Girish cleverly uses Amitabh Bachchan’s prestigious dialogue Government As a ringtone and, towards the climax, creatively appoints a superstar Inquilab Number to portray Abhimanu’s dilemma. The highlight is the sequence where the doctor multitask to complete two deadline simultaneously. It captures the boundaries of human endurance and draws us to the edge of the seat.

However, simplicity begins to disappear as Abhimanyu crosses the border of Delhi. Girish hopes that the audience will have to go with spirit and continue the logic again. It does not work. As questions climb on the head, interest goes off-road. After a point, the storyline acts like the script of the film school, woven around a great idea, which collects dust on a manufacturer’s table because of another task and a third task. The film slowly becomes a performance of Soham’s performance Chops, which has also produced the film. He is usually efficient and is solid here as an ambitious physician. In Ship of theesus And TambabadSoham has supported two crazy ideas that shed us with our feet, but here, after the initial promise and purpose, the hook loses its grip. But then, you cannot complain too much, because Girish quickly tells us that the story comes out on April Fool’s Day.

Crazxy is currently running in theaters