Alexander Movie Review: Salman Khan’s socio-political statement lacks sting

Salman played the role of Sanjay Rajkot, aka Alexander, who is a Gujarati royal with Sone’s heart. A good-to-good, we do not know his business, but his doting wife (Rashmika Mandanna) feels that a ignored has been done. One day, he kills a sensual boy in a moving plane to protect a woman. The boy turned out to be the son of the Home Minister, resulting in a war of war. A personal loss triggers a wave of emotions that push Alexander into violence.

Salman Khan still from ‘Alexander’. Photo Credit: Nadiadwalagrandson/YouTube

These days, it seems, Salman’s image-making or image-out exercise has a lot of dos and doses that play the character that becomes colorless. He cannot be seen chasing a gun or girl. This urge to be overtet floveless consumes experience, as it ends like a Santa without a beard.

The author shed blood to us to understand the symmetry of many names of character. The story begins with an Eid-type song and ends with a Holi number, with ludicus songs where the Shambu is sung with the tent (pole). Salman is seen in saffron and an old man is also placed in the skull cap. In short, the boxes are tickled to mechanically correct. A Home Minister (Satyaraj) sends our imagination to the overdrive for a while with bald who protects a dishonest son (Pratic Patil) with a bald, but the result is very simple.

The thematic sabotage works when the top layer is fertile as the bottom. Here, there is hardly anything to skim. The trick is that the audience does not know when Salman Khan ends and Alexander begins. But as it has been revealed, we find Salman sitting on Alexander’s shoulders to fulfill his good work and complaints. Call it a case of lazy or transformed, the story either acts like a surrogate advertisement for his charity work, or it seems like a danger that if Salman is targeted further, he will enter the political field by repeatedly floning after his fan. When he roars, “Qayde main rahoge toh fayde main rahoge (If you behave yourself, you will be safe), “It sounds like north of recent attacks on it.

The music of Pritam is a note above the pedestrian. Known to create a layer of intrigue between action scenes, the story of Murugados is very flat here. Bumper stickers are filled with messaging, organ donations and lessons on environment and moral pollution. Alpha is also a comment against a man, but all this is given a little harmonious, which makes it difficult to connect with the plight of the artists.

Salman Khan still from ‘Alexander’. Photo Credit: Nadiadwalagrandson/YouTube

Salman’s tough presence and stilted dialogue delivery add to crisis. There is very little novelty in action choreography. In the absence of effective Camerock, it seems that people queue up to be beaten by a star, which remains intention but the agility wanders. Unhappy with stock dialogues, Rashmika added another film to her filmography, where her job is to promote Star’s arrogance. Sharman Joshi and Kajal Aggarwal have to reduce their appearance much to justify. Satyaraj keeps grinding his teeth as if he knows what can be done with this material.

with ImpuanIn which has his own eagle, it is running in theaters, can take inspiration from South to give a political statement in Bollywood style.

Alexander is currently running in theaters